There is a playful conflict in my work, which has become a more muted examination of nature’s sublime majesty, brought to the foreground by unnatural materials and forms within this latest project.
When given the challenge of making a booklet out of one piece of paper, I thought a lot about the folds that were needed. I also didn’t want to make all the pages the same, so I spent a day just folding and refolding paper to find a template that would work. However, the contence is pretty important and I wanted it to reflect some of my previous work. At the moment I’ve been thinking a lot about landscapes and travel between city and wilderness. The line came from Environment which I worked on last year, where I played with shadows and wire to create an animated image. Here I took the line and made it 3D through the manipulation of material. The title ‘Linescape’ incorporates the two elements that make this simple booklet work.
I find it funny how our paths often lead us back to places we visited in our childhood. For me Iona is that place, which every time I visit I get that feeling of freedom and careless happiness associated with childhood memories. But it always seems unreal or false in someway because it is in my past. This summer I visited Iona with my parents who met, married and lived on the island before I came along. It felt like such a special moment to be back on the island and yet when I think of all the people who visit for a few hours everyday, it reminds me that each of them probably have somewhere that is equally special. Somewhere that enchants, inspires and drives them to return. The rough and winding paths created in these images caught my eye whether made of stone, sand or water they represented a path forwards.
Portraiture isn’t my specialty so this was a challenge. The initial idea I’d had was a full head with a ‘functioning’ mind. I wanted to show the process of thinking; the information going in, around and coming out. This piece reflects my dyslexia, showing my slower processing and how what I’m thinking often comes out differently. The ‘information’ or marbles in this case are dropped into the ‘mind’ (the dish), here they circle until they ‘form’ and drop out the mouth. At the point where they ‘form’ and drop, the ‘thought’ or marble changes. Inside the piece is a mechanism that stops one marble until another hits it, swapping positions. This means, if there is already a white marble in it and you put a blue marble in, the white one would come out.